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INDEX.

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TOP • A • B • C • D • E • F • G • H • I • J • K • L • M • N • O • P • Q • R • S • T • U • V • W • END
A
Abasement of hero 71
Accessories, essential 71
Accessory figures 11, 32, 44
Achilles 62, 179, 283
Accidents 311, 314
Acropolis 148
Act defined 192
 divisions of 210
 of ascent 198
 of catastrophe 201
 of climax 199
 of introduction 196
 of return 201
Acting, Greek 149, 152
Action 9, 19, 22, 27, 36
 about one person 305
 beginning of 29
 characters in 266, 272, 275, 276, 278
 chief thing 89
 double 44
 importance of 61
 influence of character 42
 length of 360, 361
 magnitude of 61
 movement in 66
 probability of 49
 progress of 29
 qualities of 27
 rising 66
 reflex 74
 subordinate 44
 time of 360
 construction of 196
Acts, five 192, 210
Actor and poet 300, 317, 319, 321
 and verse 331
Actors— 
 number 145, 148
 personality 149, 257
 special roles 330
 three 162
Adapting to stage 356, 358
Ægisthos 76, 174
Æschylus 25, 42, 75, 77, 112, 115, 141, 143, 146, 148, 157, [166], 173
 Agamemnon 77
 Furies 160
 Libation Pourers 173
 Persians 141
 Suppliants 42, 141
After-creation 246
Agamemnon 42, 62, 177, 283
Aggregate effect 94
Ajax 57, 107, 112, 153, 154, [159], 161, 162, 176
Ajax 42, 45, 153, 161, 162, 164, 176, [177]
Alba 225
Alcestis 112
Alexandrine 326, 329
Alphonso 197, 201
Andromache 112
Anne 256
Antigone 107, 137, 154, 159, 170, 313
 plot of 170
Antigone 42, 76, 137, 152, 153, 158, 164, 170, 171, 175, 314
Antonio 197, 199, 200, 201
Antony and Cleopatra 41, 71, 186, [235], 306
Antony 71, 72, 95, 100, 132, 306
Apollo 173
Aphrodite 116
Appiani 198
Aristotle 1, 5, 6, 26, 36, 86, 88, 89, 93, 98, 101, 103, 308
 Poetics of [5,] 101, [308]
Arrangement of parts 210
Art and nature 299, 300
Artist as hero 68
Ase-god 292
Athene 57, 161, 162
Athenian 341
 play, length of 146
 poets 141
 stage 36, 69, 101, 112, 140
 tragedy 141
Athenians 6, 153, 158, 160, 163, 164, 202, 360
Attic criticism, 3, 158
 market 144
 orations 148
 poet 91, 157
 stage 112, 143, 147, 151, 152, 154, 181
 tragedy 282
Audience and poet 354
Auditor 50, 51
Auerbach 241
Aufidius 76, 131, 136, 184, 187, 258
Augustus Cæsar 216
B
Banquo 59, 186
Baumgarten 123, 197
Beaumarchais 120, 122
Benvolio 126
Berlin 364
Bertha 200
Black Knight 60
Blasius von Boiler 10
Bohemia 50
Bohemian cup 221, 237
Bride of Messina 228, 242
Brunhild 285
Brutus 82, 95, 118, 121, 123, 124, 132, 135, 136, 186, 229, 254, 255, 256, 316
Burleigh 212, 213
Burlesque play 146
Burnam Wood 136
Buttler 78, 204, 207, 237, 316
C
Cæsar Julius 59, 77, 95, 100, 121, 123, 135, 224, 254, 255, 265, 337
Cæsura 325, 326, 327
Calderon 341
Camp 209
Canossa 39, 293, 294, 295
Capulets 32, 34, 122, 123, 126, 182
Casca 256
Cassandra 77
Cassius 119, 121, 124, 186, 224, 254, 256
Catastrophe 35, 114
 act of 201
 defined 137
 difficulties in 138
 double 206
 in Antigone 171
 law of 139
 Sophocles 169
Cause and effect 311
Chance 35
Character of poet 134, 366
Characterization—  
 methods of 250, 251
  German 250, 251
  Romances 250, 251
 in different poets 252
 Shakespeare’s 258
Characters 21, 246
 action influenced by 42, 266, 272, 275, 276, 278
 chief 249
 defining 247
 dramatic life of 22
 female 262
 humorous 310
 impelling force of 258
 in Æschylus 162
 in Euripides 252
 in Goethe 262
 in Hamlet 190, 192, 193
 in Iliad 290
 in Lessing 259
 in Nibelungen 290
 in Odyssey 290
 in Schiller 264
 in Shakespeare 253
 in Sophocles 165
 last century 262
 laws concerning 303, 314
 material and 266
 minor changes in 332
 motive not marvelous 307
 must be good and evil 308
 must be true 274
 must guide action 310, 314
 must show one side 303
 on stage 262, 297
 personality of 310
 prominence of 23, 231
 subordinate 256, 259
 unity of 304
 weakness of 65
 with portraiture 273
Charlemagne 50
Charles V 267, 268
Chief effect 71
 hero conquered 106, 107
 reaction on 106, 306
 triumphant 106
Christian 343
Christianity 293, 294
Chorus 140, 142
Chrysomethis 48, 173, 174
Clara139
Claudia199
Clavigo43, 49, 107, 119, 120, 122, 130, 223
Clavigo120, 130, 262, 314
Cleopatra71, 72, 239
Climax105, 114, 130, 131
 act of199
 defined128
 scene199
 Sophocles161
Clytemnestra42, 62, 77, 152, 166, 173,283
Closed stage195
Colloquy scenes145
Color— 
 a creation340
 and language339
 and verse323
 in poet’s soul336
Comparisons298
Complication121
Concert speech243
Conradin97
Construction of drama104
 in Sophocles140
 of scenes210
Contest on Attic stage143, 147
Conti120
Contrast— 
 in character163, 164, 171
 in scenes81
 necessary44, 223
 Sophocles161
Cordelia135, 257, 310, 314
Coriolanus27, 131, 187, 258
Coriolanus76, 131, 135, 136, 187, 246, 258
Costume, changes of214
 Greek147
 historical337
Counterplay45, 104, 122, 128, 130, 185, 186
 in introduction120, 220
Counterplayers125, 162, 180, 200, 235, 253, 272
Craftsman’s rules3
Creation and after-creation249
Creon45, 137.JLS2, 158, 165, 170, 171, 172,211, 314
Crises three114
Cromwell96
Curtain, effects of193, 215
Custom, national69
Cutting out356, 357
D
Daja118
Danger in hero’s leading109
Davison213
Deed concealed77
Deianeira101, 153, 166, 176
Delivery, methods of336
Demetrius238, 239, 263
Desdemona121
Deveroux316
Devil55, 57
Dialogue scenes170, 221, 223, 225
Dionysus94
Dionysian festivals141, 147
Director’s help362, 365
Director Scenes212
Distributed voices244
Don Carlos101, 223, 306, 348
Drama— 
 acts in195
 Attic18, 45, 112, 143, 147, 306, 334, 343
 beginning of25
 construction of104
 double206
 five parts of114
 Germanic,181, 184, 193, 334
 in two halves105
 modern195
 music and88
 reading344
 three crises in114
Dramatic— 
 action9
 art19
 characters246
 characterization249
 composition344
 effects21
  sociable52
 expression19
 forces or moments18, 115, 211
 recitation330
 unity43
 verse330
 what is19
Dramatis personæ21
Dramatist and spectator52
Double action44
 danger in46
Double drama206
Double tragedy202
Dumas341
Duncan77, 119
E
Edgar129
Edipus, see Œdipus 
Edmund135, 136, 311
Effect and cause311
Effects, great only134
 heightened79, 153
 in supreme moment76
 of old drama90
 on Attic stage151
 opera-like283
Eger204
Egmont41, 139, 240, 308, 316, 324
Egmont225
Egyptians54
Electra48, 76, 152, 172
Electra76, 77, 164, 167, 174, 176, 283
Elizabeth55, 111, 132, 199, 202, 212, 306
Emilia Galotti49, 109, 120, 122, 130, 197, 198, 199, 201, 259, 307
Emilia Galotti76, 120, 130, 197, 198, 199, 207
Enobarbus236
Epic18
 heroes278-282
 material278, 279
 narrative36
 tradition279,284
Episodes47, 134
 in Goethe49
 in Lessing48
 in Shakespeare48
 in Schiller49
 in Sophocles48
Eschylus, see Æschylus 
Euripides25, 26, 42, 43, 62, 89, 112, 115, 142, 143, 157, 158, 166, 173, 282, 284, 296
 Alcestis112
 Andromache112
 Hecuba26, 116
 Helena112
 Hippolytus116, 157
 Iphigenia in Aulis62, 283
 Medea157
Eurydice171
Events behind scenes73
 on stage74, 75
Exciting force or moment52, 114, 115, 121, 123, 127, 172-5, 197
 convenient arrangement125
 diverse forms123
 double205, 206
 no elaboration124
Exposition21
F
Fall of action115
False unity38
Falstaff46
Faust57, 61, 116, 122, 189, 241, 263
Faust122, 165, 227, 241, 263
Ferdinand100, 111, 127
Field of poet now342
Figures of Sophocles166
Final suspense135
First player1, 49, 154, 158, 178
Five acts192, 196
Force— 
 final suspense135, 137
 irrational98
 tragic95
Formula12, 13
Francis267
Franconian275
Frederick the Great273
French28, 196, 326, 329
Friedland204
G
Galotti198, 307
German— 
 actor317
 hero110, 255, 290, 291
 life254
 method265
 poets1, 10, 200, 226, 259, 281, 328, 342, 343, 350, 353, 356, 365
 stage111, 116, 263,285, 308, 337, 363, 364
Germanic drama7, 81, 155, 181, 184, 193. 254, 334
Germans24, 25, 28, 41, 42, 43, 45, 48, 54, 57, 75, 77, 80, 84, 110, 114, 120, 127, 128, 195, 199, 200, 223, 226, 246, 247, 265, 279, 284, 285, 289, 293, 308, 360
Germany96, 98, 245, 253, 325, 341, 363
Ghost186
Gloucester45
Goethe1, 2, 8, 43, 49, 61, 153, 227, 228, 240, 259, 262, 263, 278, 306, 329, 343, 359
 Clavigo43, 49, 107, 119, 122, 130, 233
 Egmont41, 139, 240, 308, 316, 324
 Faust57, 61, 116, 122, 189, 246, 263
 Goetz von Berlichingen40, 240, 308
 Iphigenia43, 49, 120
 Natural Daughter324
 Tasso43, 49, 112, 118, 197, 198, 199, 201
Goetz von Berlichingen40, 240, 314
Great poets compared110, 222
Great strokes134
Greeks28, 42, 43, 45, 47, 54, 70, 74, 75, 81, 86, 88, 90, 91, 92, 94, 98, 101, 102, 103, 113, 137, 144, 149, 153, 158, 246, 279, 281, 284, 289, 325, 335
Greek acting149, 152
 actors75
 drama3, 7, 18, 45, 306, 334, 343
 costume75
 heroes102, 158, 290, 291, 316
 subjects143
 tragedy100, 140, 222, 282, 335, 336
 development141, 142, 143
Gretchen122, 123, 226, 227, 262, 278
Ground mood80
Gustavus Adolphus268
H
Hades 153
Haemon45, 152, 158, 170, 171
Halle269
Hamburgische Dramaturgie6
Hamlet118, 119, 186, 188, 190, 191, 192, 258
 analysis of190, 191, 192, 193
Hamlet48, 59. 123, 124, 136, 165, 180, 186, 190-3, 218, 219, 220, 253, 314, 273, 287, 288, 289, 293, 295, 347
Hapsburg347
Hebrews54
Hecuba26, 116
Helena112
Hellenes24, 192, 342
Henry IV45
Henry IV39, 293-5
Henry V26
Henry VI27
Henry VIII273
Hercules154, 176, 179, 181
Hero abasement of71
 and audience308
 and color336
 character62
 chief306
 classes unavailable for64, 65
 double128, 305, 306
 end of128
 German and Greek290
 Greek102, 158, 248
 historical273, 287-9, 293-5, 347
 single304
 talked about317
Heroic accounts71
Hesse267
Hexameter326, 327, 342
Hindoos54
Heightened effects79
Hippolytus116, 157
Historic idea37
Historian and poet16, 39, 67, 266, 274, 349
Historical material15, 37, 41, 296, 336, 346, 347
 heroes in273, 347, 264
Hohenstaufen275, 337, 347
Hohenzollern70
Holy One292
Homer284
Hovel scene188
Hroswith344
Humor129
 basis of310
 in chief character310
Hyllos101, 176
I
Iago83, 121,253, 368
Iambic hexameter326, 327
Iambic pentameter324, 328, 329
 in German and English325
Iambus— 
 in Goethe329
 in Lessing330
 in Schiller329
Idea of drama9, 11
Idea of Wallenstein205
Ideal figures340
Idealization of history40, 267, 296, 308
Iffland111
Iliad290
Immermann325
Inheritance of poet341
Intensification of soul24
Introduction1, 14, 115, 118, 123, 196
 structure of120
Invention11
Inventor as hero68
Involution121
Ion112
Ion103
Iphigenia43, 49, 120
Iphigenia45, 49, 50, 62, 103, 283
Iphigenia in Aulis62, 283
Iphigenia in Tauris112
Irrational forces98
Ismene45, 48, 165, 170
J
Japanese54
Jews343
Jocasta101, 153, 172
Juliet34, 35, 36, 95, 99, 100, 122, 126, 127, 135, 183, 187, 306, 311, 314
Julius Cæsar27, 80, 82, 119, 120, 121, 126, 132, 153, 186, 244, 256
Julius Cæsar59, 77, 95, 100, 121, 123, 135, 224, 253, 254, 255, 265, 337
Justice on either side105
K
Kolb127
Kätchen of Heilbronn116
Keeping things silent78
Kennedy118, 119, 167
Keynote119
Kleist280
Kriemhild280
Kritz10
L
Lady Macbeth135, 188
Laertes136
Laius51, 171, 172
Language and color339
 and poet338
Last suspense115
Latins24, 114,250, 279
Laws, minor of characters303
Lear 27, 45, 129, 135, 136, 186, 187, 188, 258, 311
Leicester 199, 202, 212
Length of play 360, 361
Leipsic 364
Leonora 199, 200, 201
Lessing 2, 6, 8, 43, 48, 84, 193, 198, 200, 201, 223, 259, 260, 262, 306, 307, 317, 365
 Emilia Galotti 49, 107, 120, 122, 130, 198, 200, 201, 223, 254, 260, 262, 306, 307, 317, 365
 Hamburgische Dramaturgie6
 Minna Von Barnhelm 49, 261
 Nathan The Wise 49, 118, 261
 Sara Sampson 120, 260, 261
Lepidus 236
Libation Pourers 173
Lichas 154
Limits of poet 51
Laurence 33, 34, 35, 126, 127, 136, 313
Louise 10, 100, 110 128
Love and Intrigue 13, 28, 43, 76, 100, 107, 127, 264, 305
Love scenes 226, 228, 229, 278, 288, 298
Lucius 82
Luther 96, 273, 348
M
Macbeth 27, 60, 77, 83, 118, 119, 186, 258, 276
Macbeth 59, 123, 127, 136, 158, 186, 244
Macbeth, Lady 135, 188
Macdonald 216
Macduff 188, 244
Maid of Orleans 49, 60, 107, 116, 241, 265
Manager’s help 365
Manuel 265
Margaret 229
Maria Theresa 348
Marie 130
Marinelli 120, 197, 198, 199, 201
Martha 227
Marvelous 53
Mary 120, 132, 197, 199, 200, 202, 306
Mary Stuart 13, 99, 111, 118, 119, 120, 122, 124, 125, 132, 197, 199, 200, 201, 202, 207, 208, 212, 348
Mary Stuart 95, 119
Material 14
 from epic 43
 historical 15, 296, 344-49
 modern 157
 novel 43
 old 344
 onesidedness in 44
Max 204, 205, 206, 207, 235, 237, 265, 271, 272, 306
Medea 157
Melfort 260, 262
Melchthal 198, 338
Menas 236
Menelaus 62, 161, 177
Merchant of Venice 83
Mercutio 32, 33, 48, 96, 126
Mephistopheles 57, 58, 122, 227
Merovingians 286
Messenger scenes 72, 116, 145, 170, 220
Middle ages 285, 286, 292, 293, 295, 343
Middle class life 113
Milford 47, 128
Minna von Barnhelm 49, 261
Minna 259
Minor rules 303
Modern theater 342
Molière 250
Moments or forces 196
Moment of last suspense 115
Monologue 219, 220
Moods unexpressed 70
Moor 121
Moritz 267
Mortimer 122, 123, 197, 199, 200, 212
Motive, broad 82, 110, 123
 repeated 29, 42
Movement of action 66
Murder scenes 132
Mysteries on stage 58
N
Narrative remodeled 30
Nathan The Wise 49, 118, 260
Nathan 118
National custom 69
Nature and art 299, 300
Natural Daughter 324
Neoptolemus 101, 158, 177, 178, 179, 180
Nessos 101
New persons 187
New roles 200
Nibelungen 279, 284, 290, 327
Number of persons 216
O
Octavianus 71
Octavio 204, 206, 237, 238, 271
Odoardo 201, 307
Odysseus 42, 103, 161, 162, 165, 177, 178, 179, 180, 181, 280
Odyssey 281, 290
Œdipus at Colonos 7, 48, 51, 112, 150, 156, 160, 167, 174
Œdipus, King 107, 155, 171, 178
Œdipus 7, 167, 168, 171, 172, 175
Old Fritz 348
Old material 350, 351
One hero 304
Opening scene 117
Opera like effects 283
Ophelia 189
Opposing characters 107
Orange 225
Oration scenes 133
Orestes 42, 76, 152, 165, 173, 174
Orsina 49, 201
Othello 14, 27, 83, 100, 107, 121, 122, 123, 130, 258
Othello 45, 130, 310, 314
Otto 285, 337
P
Parallelisms in verse 332
 in scenes 82
 in German and Greek 334
Paris 34, 35, 36, 76, 99, 122, 135
Parody, Greek 92
Parricida 49, 81, 202
Parts of drama 114
 arrangements 210
 summary of 140
 women’s 184
Pathos scenes 132, 142, 145, 170, 174, 177, 178
Paulet 118
Pauses 214
Penelope 280
People and poets 246
Percy 76
Peripeteia 101
Persians 141
Personality of poet 17
Personification 248
Persons in Greek drama 42
Phillip 348
Philoctetes 101, 112, 138, 153, 174, 178
Philoctetes 164, 165, 167, 178, 179, 180
Piccolomini 118, 202, 205, 206, 207, 236, 305
Piccolomini 237, 238, 270
Pilsen 203
Play and counter play 114
 order of parts 169
 Shakespeare’s 182
 Sophocles’ and Teutonic 155
 spectacle 111
 symmetry of 182
 time of acting 167, 360, 361
Player— 
 first 149, 154, 158, 178
 second 150, 154, 158, 178
 third 150, 154, 180, 228, 229
Players— 
 number limited 234
 of Shakespeare’s time 182
Players and poets 300, 317, 319, 321, 355
Plot— 
 and poet 351
 of Ajax 176
 of Antigone 170
 of Electra 172
 of Œdipus King 171
 of Œdipus at Colonos 174
 of Philoctetes 177
 of Trachinian Women 176
Poet— 
 as actor and director 342
 and audience 354
 and books 351
 and character 86, 134
 and field 342
 and hero 350, 351
 and historian 67, 266, 274, 347
 and limit 51
 and material 346, 347
 and people 246
 and plan 251
 and resources 340
 and stage 343, 362, 363
 and task 31
 and tragedy 86
 work 341, 344, 354
Poetic energy 253
 truth 50
Poetics, Aristotle’s 5, 6, 101
Poetics, Greek 247
Political history 66
Polydorus 116
Polymnestor 26
Polynices 170, 175
Pompey 235, 236
Posa 306
Premises, monstrous of Sophocles 309
Presuppositions 117
 in Sophocles 155, 168, 309
 in Teutonic drama 159
Prince of Homburg 38, 70, 112, 139, 324
Probability of action 49
Prolixity 359
Prologue 115, 168
Prometheus 57, 166
Properties 338
Prose and drama 323, 328
Protagonist 154
Public, influence of 309
Purification 87, 93
Pylades 76
Pyramidal structure 114, 153, 218, 225
Q
Qualities of action 27
Queen Mab 48
Questenberg 118, 203, 207, 269
R
Raumer 275
Reaction, beginning of 99
Reaction in poet’s mind 354
Reading drama 344
Recognition scenes 101, 145, 169
Recha 259
Reflex action 74
Reformation 288
Relief before catastrophe 136
Religious changes 292
Repetition of motive 82
Return action 115, 133, 166, 177, 186, 187, 188, 200
Revolution 101, 145, 169
Riccault 49
Richard III. 27, 41, 118, 121, 122, 186, 229, 244, 256, 276
Richard III 59, 83, 136, 148, 186, 253, 304, 308, 316
Richmond 37
Rise of action 69, 115
 scenes of 128
Rising movement 125, 126
 rules for 125
Roderigo 83, 121
Röles— 
 celebrated 223
 chief 306
 collective 162, 341
 distribution of 149, 156, 162
 great, limited 304
 kinds of 143
 length of 148
 not interchangeable 320
 number of 133
 of Euripides 283
 of second half of play 316
 subordinate 256
Romans 24, 28, 95, 279, 289, 290, 308
Roman stage 195, 343
Romeo and Juliet 27, 30, 76, 82, 99, 118, 122, 123, 124, 187, 258, 305, 311
Romeo 32, 33, 34, 36, 95, 100, 123, 124, 127, 135, 136, 165, 182, 183, 187, 226, 306, 311, 316
Romulus 338
Rosalind 32
Rudenz 200, 306
Rules— 
 craftsmen’s 3
 minor 303
Rütli 198, 199
S
Sapieha 240
Sara Sampson 120, 260, 261
Sara 259, 260
Saxon 347
Scenes 210, 211
 balcony 227
 changed relation 224
 devices for 241
 dialogue 221, 223, 225
 director 212
 double 212
 ensemble 229-245
  battle 244
  camp 244
  devices 241
  difficulties 232, 233, 241
  galley 235
  mass 242
  pageant 241
  parliament 239, 240
  populace 240, 241
  rules for 231, 232
  Rütli 238, 239
  signature 237
  time of 234
 five parts of 217
 in Mary Stuart 212
 jumble in 217
 love 226-229, 278, 298
  danger in 228
 monologue 219
 number of persons 216
 order of parts 213
 parallel 82
 poets’ 212
 pyramidal form 225
 sequence of 133, 353
 structure 210
 technique 223
 third person in 228
Scenery 338
 shifting 215
Scenic contrasts 81
Scythians 282
Schiller 2, 4, 8, 14, 17, 40, 43, 46, 49, 60, 61, 69, 78, 81, 107, 110, 132, 195, 208, 220, 227, 236, 240, 242, 259, 262, 263, 265, 268, 269, 271, 272, 298, 306, 316, 324, 341, 348, 354, 356, 360
 Bride of Messina 228, 242
 Demetrius 43, 238, 239, 240, 263
 Don Carlos 43, 46, 348
 Love and Intrigue 13, 28, 76, 100, 107, 110, 127, 264, 305
 Maid of Orleans 49, 60, 107, 116, 241
 Mary Stuart 13, 43, 46, 100, 111, 118, 119, 120, 122, 124, 125, 130, 197, 199, 200, 201, 202, 204, 207, 208, 212, 348
 Piccolomini 118, 202, 205, 206, 207, 236, 305
 Robbers 263, 306
 Tell 43, 46, 49, 81, 123, 197, 199, 200, 201, 202, 228, 238
 Wallenstein 40, 43, 46, 72, 78, 107, 116, 119, 120, 202, 206, 207, 208, 220, 223, 228, 308, 311, 316
 Camp 209
 Death 206, 217
Scribe 341
Semiramis 337
Sequence of scenes 133
Serious drama 111
Sesina 206
Shakespeare 7, 8, 25, 27, 29, 34, 40, 41, 43, 45, 46, 48, 58, 59, 62, 69, 71, 81, 82, 83, 107, 110, 113, 116, 118, 119, 120, 123, 128, 181, 182, 183, 184, 185, 186, 187, 189, 193, 196, 200, 227, 228, 235, 237, 241, 244, 245, 252, 255, 256, 258, 259, 273, 298, 306, 310, 314, 330, 341, 349, 354, 356, 360
 Anthony and Cleopatra 41, 71, 189, 245, 306
 Coriolanus 27, 130, 131, 135, 187, 258
 Hamlet 118, 119, 186, 188, 190, 191, 192, 193, 258
 Henry IV. 45
 Henry V. 26
 Henry VI. 27
 Henry VIII. 273
 Julius Cæsar 27, 80, 82, 119, 120, 126, 132, 186, 244, 256
 Lear 27, 45, 107, 129, 186, 188, 258, 311
 Macbeth 27, 77, 83, 118, 119, 186, 258, 276
 Merchant of Venice 83
 Othello 14, 27, 83, 100, 107, 121, 122, 123, 130, 258
 Richard III. 27, 41, 118, 121, 122, 186, 229, 244, 256, 276
 Romeo and Juliet 27, 30, 76, 82, 99, 118, 122, 126, 133, 187, 258, 305, 311
 Timon ofAthens 62
Shakespeare’s— 
 actors 184
 audiences 183
 ardor for heroes 187
 change of scenes 185
 characters 253
 characteristics 186
 drama 189
 heroes and action 185, 252, 258
 method 185, 189, 258
 spirits 58
 stage 181
 technique 184-193
 times 184-194
Shylock 50, 253
Society of Dramatic Authors 364
Sophocles 7, 8, 25, 42, 43, 47, 75, 81, 91, 92, 98, 110, 112, 115, 137, 140, 141, 146, 147, 148, 149, 150, 153, 155, 157, 158, 160, 163, 166, 168, 169, 173, 174, 176, 178, 179
 Ajax 112, 153, 154, 156, 158, 161, 162, 176, 177
 Antigone 107, 137, 153, 154, 155, 158, 170, 311
 Electra 48, 76, 152, 172
 Œdipus at Colonos 7, 48, 112, 156, 160, 167, 174
 Œdipus, King 101, 107, 155, 171, 178
 Philoctetes 101, 112, 133, 153, 177, 178
 Trachinian Women 101, 153, 154, 176
 episodes in 47
Soul processes 39, 104
Spanish 29, 222
Speech and reply 222, 229
Spectacle play 111
 on modern stage 112
 tragedy and 113
Spectator and dramatist 32
Spirits not dramatic 56
 in comedy 57
 in Shakespeare 58
Stauffacher 197, 238, 239
Stenzel 275
Stimulation 97
Structure of drama 104
 of scenes 210
Struggle, tragic 85
 of Greek hero 159
 of Teutonic hero 159
Superhuman 55
Supernatural 55
Suppliants 42, 141
Suspense final 133
 force of 135, 137
Swedes 204, 206, 221, 311
Swiss 197, 198, 199, 201, 306
T
Tableaux 317
Tasso 43, 49, 113, 118, 197, 198, 199, 201, 359
Tasso 197, 201, 202, 314
Tecmessa 45, 162, 177
Technique 4, 8
 not absolute 1
 not enough 322
 of versification 329
Tell 43 49, 80, 197, 199, 200, 201, 202, 228, 238
Tell 197, 198, 201, 265, 306
Tellheim 260, 262
Templer 260
Terzky 228, 237, 273
Testing 359
Teucros 153, 162, 177
Teutonic 91, 94, 226, 254 Theatre, modern 342
Thebes 103, 171, 175
Thekla 205, 206, 221, 228, 265
Theseus 158, 165, 175
Thoas 50
Time of action 360
Timon of Athens 62
Tiresias 152, 158, 171
Tone color 328
Trachinian Women 153, 154, 176
Tragedy 81, 87
 Athenian 140
 double 202
 Greek 222, 282
 influence of 87
 kind of second 111
Tragic, what is 7, 84
 aggregate effect 94
 causal connection 97
 force or moment 95, 111, 115, 130, 131, 132
 in Greek drama 100
 in real life 99
 narrower sense 94
 place of 100
 scene of 99
 two meanings 86
Trilogy 147, 157, 173
Tristan 285
Trochaic tetrameter 325
Two arrangements 105
Two heroes 128
Tybalt 33, 34, 76, 98, 99, 126, 127, 136
U
Unit, logical 213
Unity of action 9, 27, 36
 place 29
 time 29
Unity, false 38
Unusual, the 54
Urians 238
V
Verona 30
Verse— 
 and color 323
 and drama 324
 dramatic recital 330
Vienna 364
Virgin Mary 56, 60, 61
Voices distributed 244
Volscians 76, 185
W
Wallenstein 40, 43, 72, 78, 107, 116, 119, 120, 165, 202, 206, 207, 220, 223, 228, 308, 311, 316
 Camp 209
 Death 206, 207
 five acts of 203
Wallenstein 16, 17, 40, 45, 203, 204, 205, 206, 207, 220, 265, 268, 269, 270, 271, 272, 306, 316
Walter Fürst 198
Weislingen 262
Will and deed 188
Witches in Macbeth 60, 188
Women’s parts 184
Work, poet and his 341
 not easy 344
Worms 267
Wrangel 204, 206, 207, 223, 269, 272, 311, 314
Wuoton 292
Wurm 127
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